Tag Archives: mastery

How to Master Rhythm and Become a Better Musician (2)

This is the second and final part of our article inspired by a reader asking about practical tips and ideas to master rhythm in order to become a better musician. A link to part one is provided at the end of this installment.

More Tips and Advice To Master Rhythm

Continuing on with some more ideas and techniques aimed at learning to master rhythm, I would recommend a couple of related ideas to try that may seem fairly unorthodox at first glance but I believe can be quite useful. One is to work with a mirror, and the other is to record or videotape yourself during your practice sessions. It may seem a little weird to stare at yourself in a mirror, but you need to make sure that what you’re doing physically is not interfering with your precision in any way, so use your instrument or sticks or sing, whatever you like, and watch yourself while you’re doing it. Are you making any unnecessary body movements that are slowing down the beat somehow? Is your breath timing precise? If you’re listening to music and tapping, is your foot coming up too far or awkwardly making it physically difficult to come down precisely on the beat? Check out your entire body and pay close attention to all those physical movements, the smaller the better in general terms, you want to focus all your efforts on precision and not allow any big sweeping movements to interfere with landing the groove as precisely as you can.

Similarly, when listening to yourself on audio or watching yourself on video, try and identify what small, subtle actions you’re doing physically might be getting in the way of your ability to be precise enough to really master rhythm completely. Notice not only whether or not the rhythm is right or not, but what’s wrong with it exactly. Are you behind the beat? Ahead of it? Are you all over the place, fast in some places slow in others? Try to identify exactly where you seem to be going astray and zero in on that problem and work to fix it, one small section at a time (try the video taping method when you’re practicing your downbeats and other isolated attack exercises).

Don’t Get Discouraged

One thing to keep in mind is that not every technique is going to work for every person. Some people need to try many different methods, other people find one method or one particular teacher or a certain comment that just seems to click for them. We all struggle with some areas in music that frustrate us because we don’t feel as though we’re able to improve quickly enough, while other things come much more naturally to us without such an intensive amount of work. Aside from the extremes, virtuosos who can simply pick up their craft seemingly effortlessly and, on the flip side, folks who simply have no natural aptitude for music and are really probably better off simply finding some other creative pursuit because music is just not their thing, the rest of us are pretty much somewhere in between where we have a certain amount of natural aptitude for some aspects of music making (rhythm, pitch, timing, improvisation, creating a great sound, excellent phrasing, and so on), while in other areas we need to spend a lot more time shedding before it comes to us, and even then it is always a sticking point you need to go back to and improve again and again.

In more general terms, here on Upbeat Rhythms we intend to continue presenting our comprehensive series of videos which will, over time, address many of the specific tricky rhythms that can be difficult to master, so please do continue checking back frequently because if you’re looking for specifics we aim to deliver.

Hopefully this article can be the start of a real dialogue for everyone who has tried or is trying to master rhythm in order to improve as musicians, it would be great if some people with experience in this area could chime in with a comment, an idea, or some additional advice, as this is a very important topic and, in practical terms, there are many ways to skin a cat when it comes to practicing and useful techniques and it would be great to hear as many as possible from as many people as possible. So look forward to that, and thanks to all for reading and for checking out UpbeatRhythms.com!

How to Master Rhythm and Become a Better Musician – Part One

How to Master Rhythm and Become a Better Musician (1)

This post was motivated by a reader who wrote to ask about tips and advice for improving tempo and timing in order to master rhythm and become a better musician. The reader mentions several techniques that have been tried, all good ones, but wanted to know if there was any more advice out there for someone who clearly has a good working understanding of the concept of rhythm, but struggles with the practical execution of it.

Techniques Previously Mentioned

Several of the techniques mentioned in the comment, toe tapping, pretending to watch a conductor in the mind, using words for certain rhythms, dancing, marching, playing and thinking subdivisions, clapping, drumming with drum sticks, making use of method books, and many other ideas can be useful, some more than others, it really depends on the person and what sort of method works best for them. But I wanted to mention these up front since they were brought up and I don’t want to ignore any of these potentially useful methods along with the advice I’m going to add to this list below.

More Ideas and Advice To master Rhythm

So keeping in mind that the list above has already been tried, I would offer the following additional advice. First of all, what kind of music are you listening to? I find personally that listening to really groovy music, funk or R&B especially, can be of great help if you allow yourself to groove along with the music either by moving your head, tapping your foot, or otherwise trying to get in synch with it. Stevie Wonder, Michael Jackson, James Brown, and many of the old Motown legends really do the trick for me, but the secret is to find grooving music that you really dig and try and synch up with it as you’re listening to it. I would shy away from classical and jazz and stick with the popular side for one reason, and that is most of the polished studio music is done to a track in the first place, so the rhythm should be pretty precise to start with, unlike jazz and classical where the rhythm on a recording can be a little more fluid and is often guided by the band leader or conductor, and as such may not be quite as precise to begin with in terms of using it for practicing precision. Granted, this is similar to working with a metronome in one sense, but the ability to internalize the groove you are listening to is integral so using real music can be a great help. The idea is to coordinate the external and internal, making sure that what you’re hearing translates to what your doing physically and what you’re perceiving internally so that it all flows together.

Master Rhythm Using a Metronome

Regarding metronome work, yes it’s true that you don’t want to rely on it exclusively, but it can still be a great asset to use it frequently and try to keep yourself perfectly aligned with it. One technique I would advise is to practice only precise downbeats, just grab your instrument and turn on the met and play just downbeats, over and over, only on the one to start with, then maybe the one and the three. Moving along, you can switch to practicing the attack on upbeats, and once that comes along nicely you can move on to inner beats such as the and of one and three or the e’s and a’s, and so on, just one note at a time to begin with. Then you can practice in similar fashion playing two notes per bar, start with the one and, then one e, then and a, vary it up and try lots of different patterns, but be sure and practice just one pattern for a good amount of time until it starts to feel really right and in the pocket and all that good stuff.

Next time, we will finish up with this topic in part 2 of this practical tips towards mastering rhythm series, hope to see you there, and thank you very much for checking out UpbeatRhythms.com!

How to Master Rhythm and Become a Better Musician – Part Two