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Video Music Lessons from the Practice Pad – Very Small Note Values part 3

UpbeatRhythms.com – the Practice Pad

Lesson III – Very Small Note Values – Part III

This is the third and final installment of the corresponding music lessons related to our video music lesson on very small note values. Links to the previous two installments can be found at the end of the article.

Welcome back! Moving right along and continuing the mathematical process we next come to 64th notes. Once again, all you need to do notation-wise is to add one flag, so a 64th note possesses four flags. And just as a 64th note has four flags, a 64th note rest has four hooks as well. It takes sixty-four of these notes to fill up one bar in 4/4 time, so clearly we are in the realm of the very short note durations at this point. It takes twice as many of these notes to fill up your measure, and they’re half as long in duration. As the note values get shorter and shorter, we simply keep adding flags one by one and halving the duration of each note compared to the previous type.

And finally, you’ve got your 128th note, which has five flags, and is an extremely short note value to say the least. And of course in the case of a rarely seen 128th note rest, you’d be looking for five hooks as well.

Whether you’re looking at individually flagged notes, or groupings of beamed notes, the number of each is your most important bit of information in order to ensure rhythmic accuracy. Now that you know how many flags belong to each note value, and the fact that each value is twice as quick as the previous one (or half as long in duration, whichever way is easiest to conceptualize), we no longer have to stare at an inky black page full of tiny notes and rests without knowing how the heck we’re going to spit out all those notes without getting chastised by the conductor or band leader. :)

In upcoming music lessons on notes and notations, we’ll begin talking about triplets, and also dotted notes. You might have heard of them, if not don’t worry, we’ll talk about all that stuff in detail as continue on with our comprehensive examination of reading rhythms, approaching rhythms, and handling rhythms in any music that you happen to come across.

Thanks for checking out UpbeatRhythms.com, we hope you’re enjoying the video music lessons as well as the related blog articles and we really appreciate you stopping by. And please come back for the next series of videos, because it’s full speed ahead and you won’t want to miss anything! See ya then.

Very Small Note Values Article Part 1

Very Small Note Values Article Part 2

video music tutorial for this article

the Practice Pad

Video Music Lessons from the Practice Pad – Very Small Note Values part 2

UpbeatRhythms.com – the Practice Pad

Lesson III – Very Small Note Values – Part 2

This is the second installment of the corresponding music lessons related to our video music lesson on very small note values. You can find part one of the written article here.

Now we turn our attention to sixteenth notes, and you’ll notice right away the 16th note looks almost like an eighth note. The only difference is the 16th note has two flags instead of one. And the 16th note has half the value of an 8th note. And also looking here at 16th note rests, it looks almost like an eighth note rest except it has two little flags instead of the one.

Regarding rests, from eighth note rests and shorter rest durations, they also include a flag-like appendage, which is known as a hook. Eighth note rests have just one hook, just as eighth notes have just one flag, as we get into the smaller rest values you add a hook for each smaller value, just as you add a flag to the smaller and smaller notes beginning with one flag on an eighth note, two flags on a 16th note, and so on. So an eighth note rest possesses one little hook, a 16th note rest has two, a 32nd note rest has three, and so on.

You have probably started to figure out by now that when moving along to the 32nd note it is very similar in appearance to the 16th note (just as a 16th note is very similar to an eighth note), except that we now see three flags rather than two. The 32nd note rest, again, has three hooks rather than two. A 32nd note is half the value of a 16th note, and a 32nd note rest is half the silence of a 16th note rest.

Keep in mind that you won’t necessarily see an entire bar of nothing but 32nd notes, or 16th notes, or any other for that matter. Sometimes you do, sometimes it varies. You might just see one or two beats’ worth of them, or just one or two notes or rests, or some combination of 32nd notes, 32nd note rests, and other note values within a measure. We will delve deeply into discussing just how to break down a complicated measure so that you can easily distinguish even the most complex rhythms, but as a starting point you really have got to know what you’re looking for, and knowing how many flags each note is entitled to is essential in understanding these small note values as soon as you see them. In the case of a 32nd note, you’re going to be looking for three flags or three beams to let you know that what you’re looking at is, in fact, a 32nd note time value.

Thank you for checking out this installment of our series on very small note values, please check back for the third and final installment which will be posted later this week. Glad you stopped by to visit UpbeatRhythms.com, see you next time!

Very Small Note Values Article Part 1

video music tutorial for this article

the Practice Pad

Video Music Lessons from the Practice Pad – Very Small Note Values part 1

UpbeatRhythms.com – the Practice Pad

Lesson III – Very Small Note Values – Part I

Welcome, or welcome back, to UpbeatRhythms.com and our continuing series of tutorials on rhythm, this is part one of our supplemental music lessons which go together with the third video music tutorial over in the Practice Pad, and today we’re talking about very small note values. The video covers 16th notes, 32nd notes, 64th notes, and 128th notes, as well as corresponding 16th note – 128th note rests.

To start off, keep in mind that 128th notes are usually of extremely short duration, and are pretty rare in music. You do see them on occasion in very slow music that requires very quick passages, but generally you’re not going to see a whole lot of 128th notes in your musical travels. However, it’s good to be aware of them and know exactly what they look like when you see them (aside from the massive amount of black ink on your page lol), and in this article you’ll see that figuring out the difference between the various smaller note values and rest values is quick straightforward, both in terms of appearance as well as exactly how much sustain/period of rest, in other words the exact time duration, you’ll need to give to each of them, now having covered whole notes, which require at least four full beats, all the way down to 128th notes (and of course rests as well). Coming up in the next couple of videos, we’ll also examine triplets and dotted notes, but we’ll leave that aside for the moment and concentrate on these very small note durations.

In previous music lessons we talked about whole notes, and half notes which are half the value of a whole note. Quarter notes which are half the value of a half note, and eighth notes which are half the value of a quarter note. The eighth note is almost exactly the same as a quarter note in appearance, except it has one flag. It should be noted here that when we see groupings of these smaller notes within the space of one beat, the flags become “beams” and are used not only to indicate note values but also to link the groups of notes together, making it easier to distinguish which are which within a beat as well as within a measure. By beaming them together you can more easily distinguish the main beats within your measure, see how the smaller notes fit together within each beat, and know at a glance which notes belong to which beats.

That concludes the first part of our supplementary article, be sure to check out the education video music lessons if you haven’t already, the link is provided below, and be sure to come back for the next part of this written supplemental article related to our education video which will be available early next week, and we will be continuing our series of videos and articles on all things rhythm with plenty more videos and tutorials, it’s full speed ahead here at UpbeatRhythms.com and you won’t want to miss anything! Thanks for checking out UpbeatRhythms.com, we really appreciate you stopping by. Talk to you next time. :)

Very Small Note Values Article Part 2

video music tutorial for this article

the Practice Pad

How to Master Rhythm and Become a Better Musician (2)

This is the second and final part of our article inspired by a reader asking about practical tips and ideas to master rhythm in order to become a better musician. A link to part one is provided at the end of this installment.

More Tips and Advice To Master Rhythm

Continuing on with some more ideas and techniques aimed at learning to master rhythm, I would recommend a couple of related ideas to try that may seem fairly unorthodox at first glance but I believe can be quite useful. One is to work with a mirror, and the other is to record or videotape yourself during your practice sessions. It may seem a little weird to stare at yourself in a mirror, but you need to make sure that what you’re doing physically is not interfering with your precision in any way, so use your instrument or sticks or sing, whatever you like, and watch yourself while you’re doing it. Are you making any unnecessary body movements that are slowing down the beat somehow? Is your breath timing precise? If you’re listening to music and tapping, is your foot coming up too far or awkwardly making it physically difficult to come down precisely on the beat? Check out your entire body and pay close attention to all those physical movements, the smaller the better in general terms, you want to focus all your efforts on precision and not allow any big sweeping movements to interfere with landing the groove as precisely as you can.

Similarly, when listening to yourself on audio or watching yourself on video, try and identify what small, subtle actions you’re doing physically might be getting in the way of your ability to be precise enough to really master rhythm completely. Notice not only whether or not the rhythm is right or not, but what’s wrong with it exactly. Are you behind the beat? Ahead of it? Are you all over the place, fast in some places slow in others? Try to identify exactly where you seem to be going astray and zero in on that problem and work to fix it, one small section at a time (try the video taping method when you’re practicing your downbeats and other isolated attack exercises).

Don’t Get Discouraged

One thing to keep in mind is that not every technique is going to work for every person. Some people need to try many different methods, other people find one method or one particular teacher or a certain comment that just seems to click for them. We all struggle with some areas in music that frustrate us because we don’t feel as though we’re able to improve quickly enough, while other things come much more naturally to us without such an intensive amount of work. Aside from the extremes, virtuosos who can simply pick up their craft seemingly effortlessly and, on the flip side, folks who simply have no natural aptitude for music and are really probably better off simply finding some other creative pursuit because music is just not their thing, the rest of us are pretty much somewhere in between where we have a certain amount of natural aptitude for some aspects of music making (rhythm, pitch, timing, improvisation, creating a great sound, excellent phrasing, and so on), while in other areas we need to spend a lot more time shedding before it comes to us, and even then it is always a sticking point you need to go back to and improve again and again.

In more general terms, here on Upbeat Rhythms we intend to continue presenting our comprehensive series of videos which will, over time, address many of the specific tricky rhythms that can be difficult to master, so please do continue checking back frequently because if you’re looking for specifics we aim to deliver.

Hopefully this article can be the start of a real dialogue for everyone who has tried or is trying to master rhythm in order to improve as musicians, it would be great if some people with experience in this area could chime in with a comment, an idea, or some additional advice, as this is a very important topic and, in practical terms, there are many ways to skin a cat when it comes to practicing and useful techniques and it would be great to hear as many as possible from as many people as possible. So look forward to that, and thanks to all for reading and for checking out UpbeatRhythms.com!

How to Master Rhythm and Become a Better Musician – Part One

How to Master Rhythm and Become a Better Musician (1)

This post was motivated by a reader who wrote to ask about tips and advice for improving tempo and timing in order to master rhythm and become a better musician. The reader mentions several techniques that have been tried, all good ones, but wanted to know if there was any more advice out there for someone who clearly has a good working understanding of the concept of rhythm, but struggles with the practical execution of it.

Techniques Previously Mentioned

Several of the techniques mentioned in the comment, toe tapping, pretending to watch a conductor in the mind, using words for certain rhythms, dancing, marching, playing and thinking subdivisions, clapping, drumming with drum sticks, making use of method books, and many other ideas can be useful, some more than others, it really depends on the person and what sort of method works best for them. But I wanted to mention these up front since they were brought up and I don’t want to ignore any of these potentially useful methods along with the advice I’m going to add to this list below.

More Ideas and Advice To master Rhythm

So keeping in mind that the list above has already been tried, I would offer the following additional advice. First of all, what kind of music are you listening to? I find personally that listening to really groovy music, funk or R&B especially, can be of great help if you allow yourself to groove along with the music either by moving your head, tapping your foot, or otherwise trying to get in synch with it. Stevie Wonder, Michael Jackson, James Brown, and many of the old Motown legends really do the trick for me, but the secret is to find grooving music that you really dig and try and synch up with it as you’re listening to it. I would shy away from classical and jazz and stick with the popular side for one reason, and that is most of the polished studio music is done to a track in the first place, so the rhythm should be pretty precise to start with, unlike jazz and classical where the rhythm on a recording can be a little more fluid and is often guided by the band leader or conductor, and as such may not be quite as precise to begin with in terms of using it for practicing precision. Granted, this is similar to working with a metronome in one sense, but the ability to internalize the groove you are listening to is integral so using real music can be a great help. The idea is to coordinate the external and internal, making sure that what you’re hearing translates to what your doing physically and what you’re perceiving internally so that it all flows together.

Master Rhythm Using a Metronome

Regarding metronome work, yes it’s true that you don’t want to rely on it exclusively, but it can still be a great asset to use it frequently and try to keep yourself perfectly aligned with it. One technique I would advise is to practice only precise downbeats, just grab your instrument and turn on the met and play just downbeats, over and over, only on the one to start with, then maybe the one and the three. Moving along, you can switch to practicing the attack on upbeats, and once that comes along nicely you can move on to inner beats such as the and of one and three or the e’s and a’s, and so on, just one note at a time to begin with. Then you can practice in similar fashion playing two notes per bar, start with the one and, then one e, then and a, vary it up and try lots of different patterns, but be sure and practice just one pattern for a good amount of time until it starts to feel really right and in the pocket and all that good stuff.

Next time, we will finish up with this topic in part 2 of this practical tips towards mastering rhythm series, hope to see you there, and thank you very much for checking out UpbeatRhythms.com!

How to Master Rhythm and Become a Better Musician – Part Two